Poetry. In THE DISGUISE OF EVENTS, a chaos of assorted experiences and references resolve themselves into a heap of strange voices and conundrums. Outsiders and critics chime in mercilessly like a rowdy crowd awaiting an execution; scenes stand in for other scenes in eclectic flashes—nymphs are forced to inhabit body after body—all as if to assert that "choice remains ever out of our control." "The sentences link and make a puzzle or a map or a path in the wilderness, nevertheless a familiar wilderness turned strange"—Peter Ganick.
