My Body in Nine Parts, Raymond Federman

My Body in Nine Parts

Raymond Federman

Publisher: Starcherone Books
PubDate: 5/1/2005
ISBN: 9780970316547
Binding: PAPERBACK
Price: $20.00
Quantity Available: 33
Pages: 136
 

Fiction. Jewish studies. For decades, Raymond Federman has been dazzling readers with his unique brand of "surfiction"--throwing zany words all over the page and inserting himself into every fiction, often through such zany alter egos as Moinous and Namredef. Now comes the greatest self-reverential work of all as Federman spins all manner of tales of various parts of his own body, recounting his childhood in France, adult life in the U.S., Jewish heritage, and career as a writer, with no effort made to distinguish between fact and fiction, memory and imagination. Previously published in France as Mon corps en neuf parties, Federman's masterpiece is now available for the first time in English, with augmented translation by the author and accompanied by ten photographs by Steve Murez.

Author City: SAN DIEGO, CA USA

Raymond Federman (1928-2009) was one of the most significant fiction writers of recent generations. Federman emigrated to the US in 1947 following the deaths of his mother, father, and two sisters in the extermination camp at Auschwitz. His early experiences in the US included being a American paratrooper in Korea, a saxophone player in Detroit, and a dishwasher and student in Columbia University, before earning a PhD at UCLA and becoming one of the first American critical promoters of the work of Samuel Beckett. Federman taught literature and creative writing at SUNY-Buffalo for 35 years. His numerous experience, exploits, and linguistic inventions have become the basis for nearly than thirty books of fiction, poetry, and criticism, translated into German, Italian, French, Hungarian, Polish, Serbian, Rumanian, Hebrew, Dutch, Greek, Japanese, Chinese, and Swahili. Federman has also been the recipient of numerous awards in the US and abroad, including the American Book Award for Smiles on Washington Square. An important theorist of contemporary writing, Federman always insisted on the integration and inseparability of memory and imagination, fact and fiction. "I have to still believe," he once said in an interview, "as I often do, that one of these days around a street corner I'm going to meet my sisters."

Reviews and Other Links
http://www.dalkeyarchive.com/catalog/show_comment/1380
http://raymondfederman.blogspot.com/
http://www.federman.com/
http://epc.buffalo.edu/authors/federman/




"A man of such joyful vitality that he will sweep anyone away."
L'Humanité (France)

"Raymond Federman, inarguably one of the most significant vanguard writers of the second half of the twentieth century and first years of the twenty first, here writes through and about the text of the body in order to celebrate how after forty every piece of us is an achievement and a nearly unbelievable fiction, and to offer us an hilariously digressive and wildly exuberant Fuck-You to the idea of aging."
—Lance Olsen

"One could expect Federman's text to be narcissistic and self-absorbed—but Federman's an artist, and his meditations go all over the place. On speaking French-accented English and being accused of speaking English-accented French; on his large, Semitic nose and the insults it's been forced to endure; on the distinct characters of his ten toes—Federman's work always takes on larger issues of exile and home, nature and nurture—with disarming humor."
—Janet Holmes

"Raymond Federman's MY BODY IN NINE PARTS once again shows why he's widely considered to be the most radically innovative and narcissistic (in the best sense of the word) of all contemporary American authors. I realize that my own body parts are far less memorable than Federman's, but nonetheless I would like to add: TWO THUMBS UP!"
—Larry McCaffery

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