Poetry.The latest in Goldsmith's transcription and defamiliarization efforts, TRAFFIC exhibits the author's signature mode: remediating found texts and crossing artifice with everyday life". "In both form and content, Kenneth Goldsmith's TRAFFIC recalls nothing so much as the extended tracking shot in Jean-Luc Godard's 1967 film Week-End, and the book's audacious sustain elicits the same series of responses: surprise, admiration, amusement, incredulity, horror, recognition, terror, boredom, impatience, awe...."--Craig Dworkin.
Author Hometown: New York, NY USA
