Description
Fiction. "In THE WORDS, Harryman playfully examines the family, the suburbs, daily life, the position of woman, while boldly undermining notions about character and plot. There's a ferocity to her wit, a cunning to her deconstructions—and always a devotion to language, its elasticity and limits. I admire Harryman's rare mind, its gleeful feminism, broad intelligence and anarchic inventiveness!"—Lynne Tillman. "At last, children's literature has been liberated, liberated into fiction! Carla Harryman's WORDS is a fiction in which the mischief is perpetually unnaming names in an ongoing discursive cross-wind beneficial to hybridizing texts. Bold and subversive!"—Marjorie Welish.
Author Bio
Carla Harryman is the author of twenty-four books of poetry, prose, plays, and essays. Harryman is widely acknowledged as an innovator in poetry, prose, and inter- disciplinary performance. An active collaborator, she is one of ten co-authors of The Grand Piano, an Experiment in Collective Autobiography: San Francisco, 1975-1980 (2006-2010). Open Box, a CD of music and spoken text performance created with composer and musician Jon Raskin was released on the Tzadik label in 2012. Her Poets Theater plays and music/text collaborations have been performed nationally and internationally, including at dOCUMENTA 13, where she presented the closing keynote performance Occupying Theodor W. Adorno's "Music and New Music," a music/text work that folds segments of Adorno's Noise into her poetic adaptation of Adorno's lecture. She is the editor of two critical volumes: Non/Narrative, a special issue of the Journal of Narrative Theory ( 2012) and Lust for Life: On the Writings of Kathy Acker (with Avital Ronell and Amy Scholder, Verso, 2006).
Other books by Carla Harryman include the collection of poetry and performance writings published in French and English editions Sue in Berlin and Sue á Berlin (2017); A Voice to Perform (Split/Level 2020); the epistolary essay, Artifact of Hope (2017); the diptych W-/M- (2013), Gardener of Stars: A Novel (2001), and two volumes of selected writing: Animal Instincts: Prose, Plays, Essays (1989) and There Never Was a Rose without a Thorn (1995). Her grants and awards include The Foundation of Contemporary Art, New York, Opera America Next Stage (with Erling Wold), and The Ronald W. Collins Distinguished Faculty in Creative Activity Award from Eastern Michigan University, where she serves on the faculty of an interdisciplinary creative writing program.
Author City: DETROIT, MI USA