Literary Nonfiction. Poetry History & Criticism. Given that the market is far smaller than the number of poets producing poems; that poets are generally the main readers of other poets' work; and that poetry itself is superabundant, what are the motivations of publishing houses and poetry editors? How do they select work? What do they select? What do they choose to leave out, or leave to others, and why? Why do we need more poetry books?
Correspondences with: Gillian Allnutt, Neil Astley, Tilla Brading, Richard Caddel, Ken Edwards, Peter Finch, Janet Fisher, Linda France, John Kinsella, Rupert Loydell, David Morley, Maggie O'Sullivan, Dan Paterson and Deryn Rees-Jones.
Author City: DEVON UK