Poetic Intention, Edouard Glissant

Poetic Intention

Edouard Glissant

Publisher: Nightboat Books
PubDate: 4/13/2010
ISBN: 9780982264539
Binding: PAPERBACK
Price: $16.95
Quantity Available: 51
Pages: 248
 

Literary Nonfiction. Poetics. African American Studies. Translated from the French by Nathalie Stephens. This marks the publication of the first English-language translation of POETIC INTENTION, Glissant's classic meditation on poetry and art. In this wide-ranging book, Glissant discusses poets, including Stephane Mallarmé and Saint-John Perse, and visual artists, such as the Surrealist painters Matta and Wilfredo Lam, arguing for the importance of the global position of art. He states that a poem, in its intention, must never deny the "way of the world." Capacious, inventive, and unique, Glissant's POETIC INTENTION creates a new landscape for understanding the relationship between aesthetics and politics.

Author City: Martinique FRA

Born in Martinique in 1928, influenced by poet/politician Aime Cesaire, and educated at the Sorbonne in Paris, Édouard Glissant has emerged as one of the most influential postcolonial theorists, novelists, playwrights, and poets not only in the Caribbean but also in contemporary French literature. He has twice been a finalist for the Nobel Prize in Literature. His works include Poetics of Relation, Caribbean Discourse, Faulkner Mississippi, Collected Poems, and the novel The Ripening. He is currently Distinguished Professor of French at the Graduate Center, CUNY and lives in New York, Paris, and Martinique.

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Matt Reeck @ Jacket2




about the translator:

Nathanaël (Nathalie Stephens) is the author of many books written in English and French, and with variant names. Recent titles include WE PRESS OURSELVES PLAINLY (2010), Carnet de désaccords (2009), ABSENCE WHERE AS (CLAUDE CAHUN AND THE UNOPENED BOOK) (2009). In addition to Catherine Mavrikakis, she has translated Gail Scott, Suzanne Jacob, John Keene as well as Édouard Glissant's POETIC INTENTION (2009). She lives in Chicago.

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