Poetry. Native American Studies. Native traditions scrape against contemporary urban life in FLOOD SONG, an interweaving painterly sequence populated with wrens and reeds, bricks and gasoline. Poet Sherwin Bitsui is at the forefront of a new generation of Native writers who resist being identified solely by race. At the same time, he comes from a traditional indigenous family and Flood Song is filled with allusions to Dine (Navajo) myths, customs, and traditions. Highly imagistic and constantly in motion, his poems draw variously upon medicine song and contemporary language and poetics. "I map a shrinking map," he writes, and "bite my eyes shut between these songs." An astonishing, elemental volume.

Author Hometown: TUCSON, AZ USA



About the author: Sherwin Bitsui is originally from White Cone, Arizona, on the Navajo Reservation. Currently, he lives in Tucson, Arizona. He is Dine of the Todich'ii'nii (Bitter Water Clan), born for the Tl'izilani (Many Goats Clan). He holds an AFA from the Institute of American Indian Arts Creative Writing Program. He is the recipient of the 2000-01 Individual Poet Grant from the Witter Bynner Foundation for Poetry, the 1999 Truman Capote Creative Writing Fellowship, a Lannan Foundation Marfa Residency and more recently, a 2006 Whiting Writers' Award. Sherwin has published his poems in American Poet, The Iowa Review, Frank (Paris), Lit Magazine, and elsewhere. His poems were also anthologized in Legitimate Dangers: American Poets of the New Century. He is the author of Shapeshift (University of Arizona Press 2003). His latest book, FLOOD SONG, was published by Copper Canyon Press in October of 2009.

Reviews:
Vernon Lallman in Coldfront Magazine