Description
Poetry. "Craig Dworkin's MOTES is an unexpected delight of sparse poems that glitter, provoke, and beg for completeness. These pieces show Dworkin's impressive range as he travels seamlessly into the reshaping of literary minimalism. Even though many of his conceptual works have echoed minimalist ideals, MOTES shifts into a more distilled frame, where both author and reader slide over a tiny handful of words only to arrive at other ends of the world: 'BRICK / Buick.' Each parcel is as hard and unstable as the gravel under our feet."—Robert Fitterman
Author Bio
Craig Dworkin is the author of several books of poetry and chapbooks, including Dure (Cuneiform, 2004), STRAND (Roof, 2005), PARSE (Atelos, 2008), The Perverse Library (Information As Material, 2010), MOTES (Roof, 2011), Chapter XXIV (Red Butte Press, 2013), ALKALI (Counterpath Press, 2015), 12 Erroneous Displacements and a Fact (Information As Material, 2016), DEF (Information As Material, 2017), and THE PINE-WOODS NOTEBOOK (Kenning Editions, 2019. He has also published two scholarly monographs, Reading the Illegible (Northwestern UP, 2003) and No Medium (MIT, 2013), and edited five collections: Architectures of Poetry, with María Eugenia Díaz Sánchez (Rodopi, 2004); Language to Cover a Page: The Early Writing of Vito Acconci (MIT, 2006); THE CONSEQUENCE OF INNOVATION: 21ST-CENTURY POETICS (Roof, 2008); The Sound of Poetry/ The Poetry of Sound, with Marjorie Perloff (Chicago, 2009); and Against Expression: An Anthology of Conceptual Writing, with Kenneth Goldsmith (Northwestern, 2011). He teaches at the University of Utah and serves as Founding Senior Editor to Eclipse.
Author City: SALT LAKE CY, UT USA