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MAW APPEARS IN THE FOLLOWING FORMS explores matrilineal inheritance and loss in the context of the Filipinx-American diaspora. Its linked vignettes imagine multiple monstrous personas and histories for the narrator’s mother, in language that is form...
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RUPTURE is a haunting, tender, and sensual debut chapbook. Exploring both the before and after of a ruptured ectopic pregnancy (in which a fertilized egg implants in the fallopian tube and splits it open, causing life-threatening internal bleeding) ...
THE RESURRECTION APPEARANCES: FRAGMENTS OF A DAYBOOK is an account of a grief year, told through narrative, lists, dreams, poetry, fantasy, and recollections of childhood. Beginning after the sudden death of the author’s mother, Patty, Resurrection ...
A collection of three stories that grapple with queerness, acceptance, and connection after tragic experiences. “IN VOYAGER 2, THIS IS VOYAGER 1, OVER, Maxwell Suzuki navigates the tensions and freedoms of isolation, retreat, seclusion, and self-di...
“BRIDGE OF KNOTS is a pandemic story that is not about the pandemic. It is a book of character-revealing sentences, of displacement, of humor. It is a book about what it is like to live in the world today, both in a communal sense and in an individu...
“A nature diary—in which it is human nature up for exploration—MARS. Marshall’s FLOWER BOI utilizes received formal conventions in order to articulate that which resists the limitations of form or, as the poet puts it, ‘how space can be both void an...
“Asa Drake’s incisive debut chapbook, ONE WAY TO LISTEN, carves through simplistic narratives, filling in the new space with ‘nests of small animals,’ surreal details that promote curiosity and ‘room for uncertainty.’ Operating with furious imaginat...
“Carolina Margarita writes with such love and precision about the questions and terrors of life today in South America. In these pages, you will find clowns and kidnappers and men, both young and old. This is nothing short of a tender probing into h...
Moving between ever-proliferating expressions of public and private remorse, Cameron Quan Louie’s APOLOGY ENGINE explores moral responsibility, memory, and identity through the fragile, spiraling machinery of the prose poem. Apologies to pets, famil...
MATH FOR THE SELF-CRIPPLING is an interlinked flash fiction collection beginning in 1990s San Antonio through to the present day. Told in first, second, and third person, the stories explore Chicana imagination, the tie between religiosity and mysti...
MORGAN (A LYRIC) accumulates impressions of the complex emotional landscape of a relationship in which one of the lovers is facing early death through cystic fibrosis. Rather than a more traditional memoir that results in an epiphany, the memoir is ...
Literary Nonfiction. Poetry. Drama African & African American Studies. Latinx Studies. Women's Studies. Winner of the 2019 Gold Line Press Nonfiction Chapbook Contest. How can you return to where you've never been? ( GHOST GESTURES ) conjures diaspo...
Poetry. Asian & Asian American Studies. LGBTQIA Studies. Winner of the 2019 Gold Line Press Poetry Chapbook Contest. A poetry collection meets cookbook, MOTHER TONGUE celebrates the recipe as a testament to women's labor and communal care, transmitt...
Fiction. African & African American Studies. Latinx Studies. LGBTQIA Studies. Winner of the 2019 Gold Line Press Fiction Chapbook Contest. The stories in Alejandro Heredia's YOU'RE THE ONLY FRIEND I NEED offer new possibilities for transnational sto...