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Poetry. EVERYONE WHO IS DEAD revives a language of fable to open a space in which the natural and the spectral cannot be told apart. Here, the boy proceeds as a philosopher, explores the unfinished character of creation, and reveals to his audience ...
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Poetry. In GLASS IS GLASS WATER IS WATER, Rae Gouirand challenges the body of the poem to accommodate maximalist tensions as she names the dangers of figuration, the simultaneities and echoes and hauntings in intimate relationships, the queer bridge...
Fiction. Film. 30 FAKE BEHEADINGS imagines 30 unthinkable sequels to 30 sui generis movies. Drawing on decapitation theory and the post-cephalic nature of cinematic experience, it documents a viewer's repeated decollation as a way of documenting the...
Poetry. These poems are steam punk on steroids. They're plutoniumpowered and neon-lit. These poems describe the world as it should be, as we want it to be, as we fear it will be, as it is every morning between 3:00 and 5:00 when our dreams are invad...
Poetry. LUNCH POEMS, first published in 1964 as Number 19 in the City Lights Pocket Poets series, is widely considered to be Frank O'Hara's freshest and most accomplished collection of poetry. That's what it says on the back of his book. Fifty years...
Poetry. SPOOKY ACTION AT A DISTANCE is a repeated attempt to reconcile the absurdity of loss. Dalton Day uses their signature cause-and-effect "logic" to jump from Laika the Russian space dog to Deborah Sampson to Dennis Gabor to Bruce Springsteen, ...
Fiction. TUSKALOOSA KILLS has the teeth of a saw. And the eyes of a wolf. It's a patchwork prose back-and-forth—it's a heady screwloose brew of marblemouth and jughead musings upon a famous football town with a clandestine literary history. TUSKALOO...