Poetry. Literary Nonfiction. Hybrid Genre. Asian & Asian American Studies. LGBTQIA Studies. Music. Women's Studies. This collection constructs a poetics of pop music moving to embody the audience's desire to be both performer and micro. In EVER REAL...
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Fiction. In OUR COLONY BEYOND THE CITY OF RUINS, an insomniac will do anything for sleep, crones released from a buried heart take over a town, a woman chooses to live her last days in a cave overlooking the sea, earthquake survivors establish a col...
Poetry. WHEN THE BIRD IS NOT A HUMAN floats the reader through domestic structures. Here, stillness ruptures the domestic hum. Here, rooms are animated principles haunted by dreams and revisitations. When every room in the house leads to a road insi...
Fiction. Hybrid Genre. Poetry. YOUR LOVE ALONE IS NOT ENOUGH is a novel in ruins. It gestures toward convention: in character, setting, plot, form; yet these conventions disintegrate as the work leans into a lyric fiction, charged by an inability to...
Poetry. Moving from suburban spaces to the chaos of New York City and back again, the speaker of A FOREST ALMOST delights and despairs in a feeling of instability and flux. Memories are stirred up and confronted by a weird and equivocal world of met...
Poetry. California Interest. The poems in ANTI-FACE form an irked missive from the failing state of the autobiographical lyric. You may not be able to tell just by looking at them, though. You're not going to get a story out of it, and there's no co...
Poetry. CAMERA is both paean and lament for a world in flux. To render such a world with its unresolvable tensions between time's embodiment and erasure is the focus of the collection. What does it mean to hold many irreconcilable presences? The tas...
Fiction. A woman discovers a hand in the garden, a wrist in the sink, and resigns herself to stand by and watch as her lover reduces herself to an eyeball. DEAR ENEMY, is a collection of twenty-one depraved tales. A dead family strokes their rage wh...
Poetry. Hybrid Genre. CONFESSIONAL SCI-FI: A PRIMER is a book of in-between spaces and times. No one is quite what or where or when they seem to be. Each of the five prosepoetic pieces in the book has a narrative although it would be more difficult ...
Fiction. A shape-shifting presence named Genevieve unites these nine surreal stories, haunting the characters as they transcend and escape the traps of the everyday. Visions carried over from childish desire and imagination start to manifest in adul...
Fiction. Flash Fiction. HE ALWAYS STILL TASTES LIKE DYNAMITE is a flash-fictional evisceration of toxic masculinity, a difficult yet tender exploration of the implicit and explicit violences men do to those they are afraid to love, those they preten...
Poetry. The small poems in Patrick Culliton's collection SAM'S TEETH use the things and diction of rural and suburban Ohio life to immerse the reader in the melancholic world the poems inhabit. From taxidermy and barbecue sauce to schoolyards and th...
Fiction. Art. A young pioneer woman wanders into an oilfield guarded by a temporary Goliath who used to date her mother. An aspiring artist/entrepreneur marries a machine filled with birds to himself and his wife. A masculinity cult seeks the advice...
Poetry. Music. "Kearney's collection of opera libretti explodes with verbal inge-nuity, graphically lunging out at us like Marvel Comics sound effects meets Italo-Futurist cut-up. Stuck in a domestic cell or a tenement, his characters bust out in so...
Poetry. "Sarah Bartlett's poems are like icicles: crystalline, delicious, and capable of taking you down. 'We practice keeping our distances intact,' she writes in the stunning title poem of this collection, & that practice is both a feint and a con...