Brandi Katherine Herrera is an artist. Her work in text, image, and sound explores the poetics of color, and space. She is the author of Mutterfarbe (Broken Cloud Press, 2016), a limited-edition artist book of color theory, experimental translation, photography, and poems using Johann Wolfgang von Goethe's Zur Farbenlehre as a primary source; and Naturlicher (Broken Cloud Press, 2016), a chapbook of color theory, experimental translation, and poems; a co-author of MAR, a collaborative artist book + limited-edition chapbook of photography, marrings, and poems (Lute & Cleat, 2018); and co-editor of The Lake Rises, a Witness Post Series anthology of poems (Stockport Flats, 2013).

Her work is held in the Seattle Art Museum's Dorothy Stimson Bullitt Library collection, Yale University's Faber Birren Collection of Books on Color, UCLA's Louise M. Darling Library, University at Buffalo's Poetry Collection, and Reed College's Special Collections & Archives, and has been featured in a number of solo + collaborative exhibitions and performance series for the Seattle Art Museum, Cube Gallery, 23 Sandy Gallery, Creative Mornings, Poetry Press Week, and Pure Surface, and published in The Volta, Octopus Magazine, The Common, Poor Claudia, Thru Magazine, and Borderlands Texas Poetry Review, among others.