is proud to present
 selected titles from our Spring catalogue

(The Song Cave, 2018)
By Jane Gregory

"At the beginning it feels almost awkward (as well as anguished). Written in poems that are accretions containing both language that's constantly questioned and a more subtle, subterranean lyricism: 'the bower made of agitation' seems to be the form, and the book seems to be about being agitated by different impulses. Suddenly, more than mid-way, everything comes together into a new tone, and what was hesitance. is a method. 'I am against achievement,' Jane Gregory says in obvious and thrilling mastery of poetic form. She really takes over then. and the reader's pleasure is acute. This is a terrific book to go through." - Alice Notley
This Book Betrays My Brother
(Mawenzi House/TSAR Publishers, 2018)
By Kagiso Lesego Molope
What does a teenage girl do when she sees her beloved older brother commit a horrific crime? Should she report to her parents, or should she keep quiet? Should she confront him? All her life, Naledi has been in awe of Basi, her charming and outgoing older brother. They've shared their childhood, with its jokes and secrets, the alliances and stories about the community. Having reached thirteen, she is preparing to go to the school dance. Then she sees Basi commit an act that violates everything she believes about him. How will she live her life now? This coming-of-age novel brings together many social issues, peculiar not only to South Africa but elsewhere as well, in the modern world.
Then There Were No Witnesses
(Mawenzi House/TSAR Publishers, 2018)
By Geetha Sukumaran (Translator), Packiyanathan Ahilan

Since the 1980s, Tamil poetry from Sri Lanka, taking a new turn to reflect the troubles in the country, has served as a counter-memory, a witness for, torture, loss, trauma and exile. Ahilan gives us a unique voice and style, in which he expresses the violence in Northern and Eastern Sri Lanka with great nuance and subtlety. His background as art historian has allowed him to blend the two-thousand-year-old Tamil cultural, literary and philosophic tradition with visual, graphic imagery to create a rich and distinct body of poetry.
Sister Love: The Letters of Audre Lorde and Pat Parker 1974-1989
A Midsummer Night's Press
By Audre Lorde, Pat Parker, and Julie R Enszer (Ed.)
Poets Audre Lorde and Pat Parker first met in 1969; they began exchanging letters regularly five years later. Over the next fifteen years, Lorde and Parker shared ideas, advice, and confidences through the mail. They sent each other handwritten and typewritten letters and postcards often with inserted items including articles, money, and video tapes. SISTER LOVE: THE LETTERS OF AUDRE LORDE AND PAT PARKER 1974-1989 gathers this correspondence for readers to eavesdrop on Lorde and Parker. They discuss their work as writers as well as intimate details of their lives, including periods when each lived with cancer. SISTER LOVE is a rare opportunity to glimpse inside the minds and friendship of two great twentieth century poets.
The House of Erzulie
(Shade Mountain Press, 2018)
By Kirsten Imani Kasai
"Blurs the edges between dream and reality, madness and magic." - Gayle Brandeis
THE HOUSE OF ERZULIE tells the eerily intertwined stories of an ill-fated young couple in the 1850s and the troubled historian who discovers their writings in the present day. Emilie St. Ange, the daughter of a Creole slaveowning family in Louisiana, rebels against her parents' values by embracing spiritualism, women's rights, and the abolition of slavery. Isidore, her biracial, French-born husband, is an educated man who is horrified by the brutalities of plantation life and becomes unhinged by an obsessive affair with a notorious New Orleans voodou practitioner.
The Writer's Field Guide to the Craft of Fiction
(A Strange Object, 2018)
By Michael Nollr 
"There comes a time in every writer's education when they realize they don't know what the hell they're doing. At this point, a writer can throw in the towel, take out student loans for another round of schooling, or discover a brilliant book like Michael Noll's THE WRITER'S FIELD GUIDE. With patience, good humor, and fortitude, Noll provides a field manual for taking fiction apart and putting it back together again, gaining technical know-how and inspiration along the way. An indispensable book that belongs on every serious writer's desk." - Amanda Eyre Ward
(Ahsahta Press,2018)
By Jonah Mixon-Webster 
Newcomer and Sawtooth Poetry Prize winner Jonah Mixon-Webster urgently considers the poetics of space and body, of race and region, of sexuality and class in the present day- the water crisis in Flint, Michigan; systemic racism-within the architecture of the current collective crisis and imagination. To take up space in an experimental way, through lyric, sound and conceptual art, this collection activates the contentious trope of "The Real Nigga" as zombie (embodiment of the thing already dead), linguistic substrata (the basis and site of identity through language formation and synthesis), and as precursor for colonizing archetypes (in the Jungian sense-an unconscious, collectively inherited idea that develops into socially constructed and consciously typified symbols of human identity and function). He challenges current stereotypes through the character's experience and through mythology; "Now this nigga Niggaphus was the darkest 'mortal' anybody had ever seen in Greece." 
(Ahsahta Press,2018)
By Jody Gladding 
Deeply invested in landscape, this book operates where landscape and language converge. It opens the page into a compositional field in which words appear as constellations to create multiple, interwoven meanings as they interact with each other and with the reader who moves freely among them, fully participating in the making of poems that are spatial, non-linear, and different every time. 
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