Poetry. Phillip Foss's CHROMATIC DEFACEMENT is a new fin de siecle theater of cruelty with the roles played by perfumes, echoes and elisions. Coquettish effluvia. Susan Howe meets Bataille and they have this child called Fetter of Nuance or, in fact, CHROMATIC DISPLACEMENT. I think I'm in love with it. - Rae Armantrout. There is the entrance of submission. The opening / is very low, or very shallow, as if its fabricator desired removal / of one's head in entering, not concerning stature / but sensation and dialectics. (The Theater of Perfumes). Following the steps of Phillip Foss, one of Lully's latter-day and more intrepid progeny surely, you will re-make desire. Re-make it and re-make it. Re-make it and make it last. At last. - John Taggart.
Phillip Foss is the author of fifteen books and chapbooks of poetry, most recently STUDY IN TRANSHUMANCE, THE VALLEY OF CRANES, and THE WORLD'S DESCRIPTION, from Singing Horse Press. Additionally, he has received the Fund for Poetry Award and two Poetry Fellowships from the National Endowment for the Arts. He was founding director of the Creative Writing Program at the Institute of American Indian Arts and editor of Tyuonyi magazine. He lives with his wife, Joyce, in northern New Mexico.
Author City: San Juan Pueblo, NM USA