Poetry. In BRUTAL SYNECDOCHE, Mark Tursi transcends static genre markers of poetry and prose. BRUTAL SYNECDOCHE moves through different registers; there are language oriented poems, narrative poems, comical poems, and lyrical poems. Tursi has the ability to write through these modes with confidence. BRUTAL SYNECDOCHE has something for everyone.
"'I am here to hustle you,' writes Mark Tursi in his terrific second book, BRUTAL SYNECDOCHE. In his meditations on culture, identity, religion, language (which one cannot avoid any more than one can avoid piss in a swimming pool,according to the first poem of the book), Tursi writes in a very casual tone, but the imagery is incredibly intensive. The result is a kind of 'hustling': the poems not only tug the reader along, but are already hustling themselves, already at conflict. As in most of these poems, there is an obscene humor at work as well in this line—the slang connotations of 'hustling' have to do with seduction and prostitution. But these unresolved conflicts, such as the prominent one between the sacred and profane, become the key to Tursi's vision: 'But hell, who cares, we'll have a wild time later at the crematorium. Listening to the murmr and hust of dust to dust, ashes to ashes... Look there's God's grandeur...right underneath the lid of that coffin.' Perhaps Tursi is a great religious poet after all. No pervert. No visionary."—Johannes Göransson
Mark Tursi is the author of Shiftless Days (Noemi Press), THE IMPOSSIBLE PICNIC (BlazeVOX [books]), and BRUTAL SYNECDOCHE (Astrophil Press). He is editor of the literary and visual arts journal Double Room and co-editor of Apostrophe Books, an innovative press devoted to publishing poetry that intersects philosophy and cultural theory. He is a professor of writing and literature at New Jersey City University and a fine arts lecturer at the Museum of Modern Art in New York where he teaches courses on the interchange between writers and visual artists.
Author City: NEW YORK, NY USA