Description
Poetry. Middle Eastern Studies. "I find it hard to read this book without looking up and wondering who and what and where I am. It returns me again and again to wondering what a person is, what speaking is, and what we mean by 'the world.' Deterritorialization is one of its main concerns and main activities, something that I think can be said about Zaher's work in general, whether he is undermining the reality effects of nation states and their borders, or of corporate spectral omnipresence, or unpeeling his own personal multiply-deterritorialized lyric self. It is vital, lucid, and uncompromising work that leaves this reader feeling more alive and open to 'our moment,' and less secure than ever about what that might mean. Despite its often slashing irony, I find it a very tender book as well. The gentleness and the slightness of the form cradles a reader (this one anyway) preventing panic and interpretative foreclosure."—Anthony McCann
Author Bio
Maged Zaher is the author of THE CONSEQUENCES OF MY BODY (Nightboat Books, 2016), IF REALITY DOESN'T WORK OUT (SplitLevel Texts, 2014), THANK YOU FOR THE WINDOW OFFICE (Ugly Duckling Presse, 2012), THE REVOLUTION HAPPENED AND YOU DIDN'T CALL ME (Tinfish Press, 2012), and PORTRAIT OF THE POET AS AN ENGINEER (Pressed Wafer, 2009). His collaborative work with the Australian poet Pam Brown, FAROUT LIBRARY SOFTWARE, was published by Tinfish Press in 2007. His translations of contemporary Egyptian poetry have appeared in Jacket Magazine, Denver Quarterly and Banipal. He has performed his work at Subtext, Bumbershoot, the Kootenay School of Writing, St. Marks Project, Evergreen State College, and American University in Cairo, among other places. Maged is the recipient of the 2013 Genius Award in Literature from the Seattle weekly The Stranger.
Author City: SEATTLE, WA USA