Description
Fiction. A novel of connected short stories, PORT AUTHORITY ORCHIDS documents, in precise and delicious prose, the delicate but fun psychological terrain of Manhattan as experienced by Dalloway, an idealistic thirteen-year-old prodigy with a transexual father and an emotionally-distant but still loving mother. Along with her cohort and partner-in-crime, Hannah, she navigates territory that is sometimes poignant, sometimes taboo, but always colorful, dark, and entertaining. If you loved Clowe's graphic novel Ghost World, you will love this book.
"This enigmatic classic by Stephanie Dickinson, follows thirteen-year-old prodigy Dalloway as she spends Easter vacation with her father and grandmother in Manhattan. Both father and grandmother constantly hog the spotlight, leaving Dalloway feeling largely invisible. (Those familiar with her namesake from Virginia Woolf's novel may remember that Clarissa Dalloway, too, "had the oddest sense of herself being invisible"). Dalloway also has a preoccupation with hybrid animals and likens her family to them (her transgendered father being a cross between male and female; and her grandmother, having just undergone cosmetic surgery, being a cross between young and old). As Dalloway soon learns, she is consubstantial with her father and grandmother. She is nothing but a domesticated hybrid in the wilderness that is New York City. Just as the protected existence of Woolf's Clarissa Dalloway had left her ignorant of the experience of the lower classes, so too is the Dalloway of this story ignorant of life outside her bubble. Bolstering this offbeat cautionary tale throughout is its gimlet humor. Dickinson also limns so well the frightening and majestic backdrop of New York, the 'sexiest address in the world.' Thanks to Dickinson's mesmerizing narrative, it's easy for the reader to get lost in the city, even if just on the page."—Matthew Limpede
"PORT AUTHORITY ORCHIDS is a coming-of-age narrative that is by turns humorous, quirky, and tragic. Stephanie Dickinson offers the reader New York as seen by Dalloway, a precocious and idealistic teenage girl with a fractured, eccentric family in constant metamorphosis. Dickinson's eye for detail and narrative style entice the reader to sit up, look and listen for the next beautifully crazy scene. One of the many characters that stands out is the brazen, redwoodesque Great Aunt Dorna of 'Sonic Ear,' an elderly version of Astrid Lindgren's ultrafeminist Pippi Longstocking with an endless supply not of golden coins from a treasure chest, but of expensive sets of flatware and tableware that she offers, piece by piece, as currency. Dorna is the adult role model Dalloway deserves; together, they take on all those who would usurp or brutalize women on the streets. I am thrilled to see this collection of stories together at last."—Bonnie Ditlevsen
Author Bio
Stephanie Dickinson raised on an Iowa farm now lives in New York City with the poet Rob Cook and their senior citizen feline, Vallejo. Her novels Half Girl and Lust Series are published by Spuyten Duyvil, as is her feminist noir Love Highway. Other books include PORT ATHORITY ORCHIDS (Rain Mountain Press, 2013), GIRL BEHIND THE DOOR (Rain Mountain Press, 2017), Heat: An Interview with Jean Seberg (New Michigan Press), Flashlight Girls Run (New Meridian Arts Press), THE EMILY FABLES (Rain Mountain Press, 2019), Big-Headed Anna Imagines Herself (Alien Buddha) and BLUE SWAN, BLACK SWAN: THE TRAKI DIARIES (The Bitter Oleander Press, 2021). She has published poetry and prose in literary journals including Cherry Tree, The Bitter Oleander, Mudfish, Another Chicago Magazine, Lit, The Chattahoochee Review, The Columbia Review, Orca, Gargoyle, among others. Her stories have been reprinted in New Stories from the South, New Stories from the Midwest, and Best American Nonrequired Reading. She received distinguished story citations in Best American Short Stories, Best American Essays and numerous Pushcart anthology citations. At present she's finishing a work of creative nonfiction entitled In the Razor Wire Wilderness based on her longtime correspondence with inmates at the Edna Mahan Correctional Facility for Women in Clinton, New Jersey. To support the holy flow, she has long labored as a word processor for a Fifth Avenue accounting firm. Since the outbreak of the coronavirus pandemic, she has worked remotely from the sanctity of her 5th floor walk-up red room. Along with Rob Cook, she edits Rain Mountain Press.
Author City: NEW YORK, NY USA