Poetry. A dated "poemlogue," LANDS OF YIELD transcribes Tokyo's fantastic sensorium via rigid syllabics and mutating form. In dialogue with Joe Brainard's I Remember, Bernadette Mayer's early durational works, and various diaries, the text also forays into other geographies and temporalities. "What use are these measured clues?" Anderson asks. What's worth putting down, when the documentation is too voluminous to match up to memory? "Did I mention the mottled windows?" "Who is the document's intended recipient?" "What are you reading now?" "Did I ask it in a dream?" "What would the clear material be?"
Stephanie Anderson is the author of IN THE KEY OF THOSE WHO CAN NO LONGER ORGANIZE THEIR ENVIRONMENTS (Horse Less Press, 2013), LANDS OF YIELD (Horse Less Press, 2017) and IF YOU LOVE ERROR SO LOVE ZERO (Trembling Pillow Press, 2018), as well as several chapbooks. She lives in Beijing, where she is a member of the Tsinghua-Michigan Society of Fellows at the Institute for World Literatures and Cultures, Tsinghua University.Author City: BEIJING CHI