Poetry. Asian & Asian American Studies. Film. SHEEP MACHINE is a textual inscape, a poetically painted nonfictional pasture where mechanical violence and visceral fear coalesce into a kind of science prosody, a post-human panorama whose beauty lies in the ruins of reality it depicts. Influenced by Leslie Thornton's film of sheep feeding in a field as a conveyor belt of cable cars ascend and return from a mountain in the Swiss Alps, Vi Khi Nao takes perception into tumultuous terrains, into a pastoral-celestial void in which temporality is transcended, progress is a bourgeois invention, and god is a liability for our life spent in hunger and grazing. Vi Khi Nao's SHEEP MACHINE is grace said at the ontological last supper.
Excerpt @ Poor ClaudiaKatherine Beaman @ Commonplace ReviewExcerpt @ The Brooklyn RailPublishers Weekly starred reviewSue Rainsford @ Aster(ix)Best of 2018 @ EntropyMike Corrao @ Entropy
VI KHI NAO's work includes poetry, fiction, film, play, and cross-genre collaboration. She is the author of the novels Swimming With Dead Stars (FC2, 2022) and Fish in Exile (Coffee House Press, 2016), the story collections The Vegas Dilemma (11:11 Press, 2021) and A Brief Alphabet of Torture (winner of the 2016 FC2 Ronald Sukenick Innovative Fiction Prize), and five poetry collections: A Bell Curve Is A Pregnant Straight Line (11:11 Press, 2021), Human Tetris (11:11 Press, 2019), Sheep Machine (Black Sun Lit, 2018), Umbilical Hospital (1913 Press, 2017), and The Old Philosopher (winner of the 2014 Nightboat Books Prize for Poetry). She was the Fall 2019 Shearing Fellow at the Black Mountain Institute.