Poetry. The poetry of Ryan Dobran begins in a congenial, observational mode and crystallizes swiftly into an engrossing lattice of voice and affect, a prismatic language that pivots unassumingly through shades of the quotidian and the disenchanted, the earnest and the circumspect, the ingenuous and the vatic. It is a recognizably contemporary poetry: familiar discourses and lifeworlds made uncanny by an exacting realism, conscientious of the creaturely and all-too-embodied travails of a rapidly immaterializing modernity, persistently shot through with fleeting glimpses of those distributed, elusively disciplinary forces—of law, finance, and technology—that everywhere impinge locally and yet evade global apprehension. At the same time, there is yet something about Dobran's clear-eyed view out onto the actual existing world that bestows a kind of proleptic clarity on the Skinner box of the present: the poetic defamiliarization at play is not the techno-stunned alienation of modernism but something older and more stoic, comic, or forgiving, not didactic and yet, in its composure, quietly instructive.
Ryan Dobran received his PhD in English from the University of Cambridge and currently lives in Philadelphia. His most recent book of poetry is OLD BUSINESS (Golias Books, 2019). He is the editor of The Collected Letters of Charles Olson and J.H. Prynne (University of New Mexico Press, 2017). Ryan Dobran's poems have been published by Barque Press, Face Press, and Critical Documents, among others.Author City: PHILADELPHIA, PA USA