Poetry. Latinx Studies. Women's Studies. Edited by Faride Mereb and translated by Anne Boyer and Cassandra Gillig, GRENADE IN MOUTH: SOME POEMS OF MIYÓ VESTRINI introduces to Anglophone readers the work of one of the vanguard voices of Venezuelan poetry with texts that cover three decades: from the year 1960 to 1990. Critics have called Miyó Vestrini the poet of "militant death." Vestrini is known, too, as the Sylvia Plath of Venezuela, but if she is a Plath, we think she is one who would have set Ted Hughes on fire. Her poems are not soft or brooding laments. They are bricks hurled at empires, ex-lovers, and any saccharine-laced lie that parades itself as the only available truth.
M. Buna @ HyperallergicSteven Zultanski @ FriezeAnna Vitale @ Full StopKyle Williams @ Chicago Review of Books
Miyó Vestrini was born in France, 1938, emigrated to Venezuela at the age of 9, and at eighteen she joined Apocalipsis (Apocalypse), the only woman to do so in the then male-dominated scene of the Venezuelan avant-garde. She soon became a dedicated and prize-winning journalist, directing the arts section of the newspaper El Nacional. She published three books of poetry in her lifetime: 1971's Las historias de Giovanna (The History of Giovanna), 1975's El invierno próximo (The Next Winter), and Pocas virtudes (Little Virtues), published in 1986. Vestrini died by suicide on November 29, 1991, leaving behind two collections: a book of poems, Valiente Ciudadano (Brave Citizen) and a book of stories, Órdenes al corazón (Orders to the Heart).Author City: CARACAS VEN