Literary Nonfiction. Sparked by the only two letters—out of over a hundred-that López Medin's mother saved from her own mother in Paraguay, POEM THAT NEVER ENDS weaves together poems and family photos to explore the fragmentation of time, memory, and mother-child relationships. Fragments, family hearing impairments, ripped-up letters, and living and writing between languages point to the inescapable holes in language, troubling the notion of a finite utterance. Layering elements of painting, cinema, and the elusive three dimensions of theater into the weave, POEM THAT NEVER ENDS traces a sequence of mothers-López Medin's mother, her mother's mother, herself as a mother-in a porous, restless gesture toward what's never fully grasped.
Silvina López Medin was born in Buenos Aires and lives in New York. Her books of poetry include: La noche de los bueyes (Madrid, 1999), winner of the Loewe Foundation International Young Poetry Prize, Esa sal en la lengua para decir manglar (Buenos Aires, 2014; That Salt on the Tongue to Say Mangrove, tr. Jasmine V. Bailey, Carnegie Mellon University Press, 2021), 62 brazadas (Buenos Aires, 2015), and Excursión (Buenos Aires, 2021). Excursión was selected by Mary Jo Bang as the winner of the Oversound Chapbook Prize (Oversound, 2020). Her hybrid poetry book THE POEM THAT NEVER ENDS was a winner of the Essay Press/University of Washington Bothell Contest (Essay Press, 2021). Her play Exactamente bajo el sol (staged at Teatro del Pueblo, 2008) was granted the Plays Third Prize by the Argentine Institute of Theatre. She co- translated Anne Carson's Eros the Bittersweet (2015) into Spanish. Her writing has appeared in Ploughshares, Hyperallergic, BrooklynRail, and MoMA/post, among others. She holds an MFA in Creative Writing from NYU and is an editor at Ugly Duckling Presse.
Author City: USA