In this second volume in her series The Argument of Time, Teresa Carson takes us from the abandoned port town of Ostia to the galleries of the Metropolitan Museum of Art in New York. In its galleries, we encounter a marble sarcophagus dedicated by a dutiful daughter, Aninia Hilara, to her ‘incomparable mother’, Claudia Arria, its beautifully carved reliefs depicting the myth of Selene, goddess of the moon, and her sleeping lover Endymion.
Asking how we, as modern viewers, are to interpret such a monument, Carson invites us to accompany her as she attempts to decode its iconography, to access the desires, relationships, and even the most mundane experiences of the deceased, and to reconcile the souls whose memories it preserves with the sterile museological context in which it is now encountered.
Juxtaposing the language of inventory, label, catalog, and dry art-historical description (complete with footnotes) with direct address to the departed and powerful expressions of grief in which language breaks down altogether, Carson braids her own experience of loss with an eloquent commentary on the irreconcilable relationship between archaeological artifacts and the living, breathing individuals who once gave them meaning. Ovid may have claimed in his Fasti that “the shades ask little” (parva petunt manes), but Carson movingly grants them far more. For those who care to try, “Remembering remains”.
— Verity Platt, Professor of Classics and History of Art, Cornell University
Poetry. Art. Classical Studies. Italian Studies. Art History.
Author WebsiteUnbroken Threads ProjectArt in Common Places
Teresa Carson's work centers on the themes of time, memory, and the stories we humans tell.
She holds an MFA in Poetry and an MFA in Theatre, both from Sarah Lawrence College. She is the author of five collections of poetry: Elegy for a Floater (CavanKerry Press, 2008); My Crooked House (CavanKerry Press, 2014), which was a finalist for the Paterson Poetry Prize; The Congress of Human Oddities (Deerbrook Editions, 2015); VISIT TO AN EXTINCT CITY (Deerbrook Editions, 2021); and METAMORPHOSES, BOOK XVI (Deerbrook Editions, 2022).
She lives in Florida, where so co-curates two programs aimed at fostering cross-disciplinary collaborations and putting art into public settings: The Unbroken Thread[s] Project and Art in Common Places.
Alessandro Di Mauro's lifelong passion for foreign languages has led him not only to teach, for more than a decade, his native Italian to speakers of other languages but also to achieve a high level of proficiency in English and French. He holds a law degree from his hometown institution, Catania University, and has also studied at Université Catholique de Louvain. In addition, he earned a master's degree in international relations from the University of Kent. In 2011, Alessandro completed a course of study, through Siena University, in teaching Italian as a second language. In his weekly podcast, Italiano Standard, he enthusiastically helps students develop their Italian skills. His translating projects include (with co- translator John F. Coates) an Italian-to-English translation of Carmelo Asaro's novel Land Rediscovered (Entasis Press, 2015) and English-to-Italian translations of poet Teresa Carson's Argument of Time series.