Description
Early Works collects Pulitzer-Prize nominated poet Alice Notley's first four out of print poetry collections, along with 80 pages of previously uncollected material. A must have for any Alice Notley fan. Includes original cover artwork as well, by Philip Guston, Philip Whalen and George Schneeman, among others.
From editor Nick Sturm's EARLY WORKS Introduction:
In the author’s note that begins Grave of Light: New and Selected Poems
1970-2005, Alice Notley writes, “My publishing history is awkward and untidy,
though colorful and even beautiful.” I have always been enamored of
this sentence, which reminds us that an array of dispersed and varying
publishing contexts are the original sites that give shape to such a book’s
form. It is also something of an invitation into that color and untidiness,
a prompt to become more curious about the awkwardness and beauty of
Notley’s publishing history. This book, Early Works, accounts for a significant
portion of that history by bringing back into print the complete
versions of her first four books, a little-known 22-poem sonnet sequence,
and a large selection of early uncollected poems gathered from little magazines.
In doing so, Early Works joins an important set of recent volumes
that put Notley’s earlier poetry back into circulation, including Manhattan
Luck (Hearts Desire, 2014), which collects four long poems written
between 1978 and 1984, and Songs for the Unborn Second Baby, originally
published by United Artists in 1979 and reissued in a facsimile edition by
London-based Distance No Object in 2021. Each in their own way, and
especially taken together, these books continue to confirm that, as Ted
Berrigan writes in The Poetry Project Newsletter in 1981, “Alice Notley is
even better than anyone has yet said she is.”
“The range, comprehensiveness, and empathetic imagination of Alice Notley’s poems are among the major astonishments of contemporary poetry. Book by surprising book, she reinvents not only herself as a poet, but also what it means for anyone to write a poem at this volatile moment in our history.” — Robert Polito
“Alice Notley is a disobedient medium: the dead speak through her and she speaks back. Sometimes she’s a poet of intimate address, sometimes of epic sweep. Notley’s formal experiments allow us to make contact with poetry’s originary and anarchic force.” — Ben Lerner
Poetry.
Author Bio
Alice Notley was born in Bisbee, Arizona in 1945 and grew up in Needles, California in the Mojave Desert. She was educated in the Needles public schools, Barnard College, and The Writer's Workshop, University of Iowa. She has lived most extensively in Needles, in New York, and since 1992 in Paris, France. She is the author of numerous books of poetry, and of essays and talks on poetry, and has edited and co-edited books by Ted Berrigan and Douglas Oliver. She edited the magazine CHICAGO in the 70s and co-edited with Oliver the magazines SCARLET and Gare du Nord in the 90s. She is the recipient of the Los Angeles Times Book Award, the Griffin Prize, the Academy of American Poets' Lenore Marshall Prize, and the Poetry Foundation's Ruth Lilly Prize, a lifetime achievement award. Notley may be most widely known for her epic poem "The Descent of Alette." Recent books include EURYNOME'S SANDALS, Certain Magical Acts, Benediction, and For the Ride. Notley is also a collagist, cover artist, and maker of hybrid art objects. An art book, Runes and Chords, will be released in 2023.
Author City: PARIS FRA