Poetry. Native American Studies. D.A. Lockhart's stunning and subversive fourth collection gives us the words, thoughts, and experiences of an Anishinaabe guy from Central Ontario and the manner in which he interacts with central aspects and icons of settler Canadian culture. Riffing off Richard Hugo's 31 Letters and 13 Dreams, the work utilizes contemporary Indigenous poetics to carve out space for often-ignored voices in dominant Canadian discourse (and, in particular, for a response to this dominance through the cultural background of an Indigenous person living on land that has been fundamentally changed by settler culture). The letter poems comprise a large portion of this collection and are each addressed to specific key public figures—from Sarah Polley to Pierre Berton, k.d. lang to Robertson Davies, Don Cherry to Emily Carr. The second portion of the pieces are prayer-poems, which tenderly illustrate hybrid notions of faith that have developed in contemporary Indigenous societies in response to modern and historical realities of life in Canada. Together, these poems act as a lyric whole to push back against the dominant view of Canadian political and pop-culture history and offer a view of a decolonized nation.
Feature @ 49th ShelfFeature @ CBC BooksBecky Toyne @ The Globe and Mail
D.A. Lockhart is the author of DEVIL IN THE WOODS (Brick Books, 2019), The Gravel Lot That Was Montana (Mansfield Press, 2018), This City at the Crossroads (Black Moss Press, 2017), and Big Medicine Comes to Erie (Black Moss Press, 2016). His work has received multiple Pushcart Prize nominations. He is also the publisher at Urban Farmhouse Press. A Turtle Clan member of the Moravian of the Thames First Nation, Lockhart currently resides at Waawiiyaatanong on the south shore of the Detroit River (most often referred to as the border cities of Windsor, Ontario and Detroit, Michigan).Author City: WINDSOR, ON CAN