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Fiction. Asian & Asian American Studies. LGBTQIA Studies. Short Stories. A young gymnast crushes on an older, more talented teammate while contending with her overworked mother. A newly queer twenty-something juggles two intimate relationships—with a slippery anarchist lover and an idiosyncratic meals-on-wheels recipient. A queer metal band's summer tour unravels amid the sticky heat of the Northeastern US. A codependent listicle writer becomes obsessed with a Japanese ASMR channel.
The stories in PERSONAL ATTENTION ROLEPLAY are propelled by queer loneliness, mixed-race confusion, late capitalist despondency, and the pitfalls of intimacy. Taking place in Montreal, Toronto, and elsewhere, they feature young Asian misfits struggling with the desire to see themselves reflected—in their surroundings, in others, online. Chau Bradley's precise language and investigation of our more troubling motivations stand out in this wryly funny debut, through stories that hint at the uncanny while remaining grounded in the everyday.
Helen Chau Bradley is a writer, musician, and arts administrator living in Tio'tia:ke / Montreal. They are the author of Automatic Object Lessons (House House Press, 2020). Their stories and essays have appeared in carte blanche, Cosmonauts Avenue, Entropy Magazine, Maisonneuve Magazine, the Montreal Review of Books, and elsewhere.Author City: MONTREAL, QC CAN