Poetry. Foreword by Tom Orange. At over five hundred pages of sustained, exhilarating prose, this work reconciles the relentless iconoclasm of the language poets with Clark Coolidge's own deeply rooted theories of abstraction and musicality, yet remains astonishingly readable more than thirty years after Coolidge abandoned the project—planned to be more than one thousand pages—in 1980. An act of radical endurance, a resurrected classic."A modern-day Rosetta Stone, BOOK BEGINNING WHAT AND ENDING AWAY bridges the wild conceptual experimentalism of the 1960s and the rigid, doctrine-driven personal politics of the 1970s and early 1980s Language poets, while illuminating the path toward a freeform, devastating 'point perspective lyric' that is Coolidge's operative method today."—Tom OrangeWhy the same cave? It is continuous. The weight exists, a drill, and it is well. One bridge is older than the stream. Of indebtedness great ground now possess changes. Crack cavity in the sung Hallelujah Chorus. I took a drink, still older than unequivocally slabby. My sac deposit lies life size. The well we have is little more than this sheet-iron. The making system drapes the writer's contrast.
Barbara Hoffert @ Library Journal
Clark Coolidge is the author of Poet, THE LAND OF ALL TIME, To the Cold Heart, 16 Poems for Philip Guston, and SELECTED POEMS 1962-1985, among countless others. Born in Providence, RI, in 1939, Coolidge lives in Petaluma, CA, and plays drums with Thurston Moore and the free jazz band Ouroboros.