Poetry. "Daniel Borzutzky's poems bespeak an amazing grasp of current nounage that the writer skillfully employs to achieve a piercing social and political critique. Little of current or recent history has immunity. Richard Milhous Nixon, Ronald Reagan, the matter of requisite allegiance to sexuality, linguistics, even leek soup, serve as springboards to a greater revelation brought about by the ruthlessly comic clarity of Borzutzky's eyes and ears. The writer plants the spotlight on speakers of the poem who do not know that they can plead the Fifth. Yet even in his most successfully sardonic observations, Borzutzky never merely points the finger. In a virtuosic display of rhetoric, these speakers self-reveal, self-incriminate, and in so doing, take us down with them. For Borzutzky consistently brings to the poem the recognition that his subject is not restricted to these few isolated others, but, at root, to all of us. Joining its best-of-genre companions, THE ECSTASY OF CAPITULATION provides scathing critique of culture amid an underlying self-effacement that holds itself responsible and consistently depicts a sense of caring. Borzutzky's is the honest intellect we have been waiting for, to show us what we are"—Sheila E. Murphy.
Daniel Borzutzky's books and chapbooks include, among others, THE PERFORMANCE OF BECOMING HUMAN (Brooklyn Arts Press, 2016), which won the National Book Award, IN THE MURMURS OF THE ROTTEN CARCASS ECONOMY (Nightboat Books, 2015), Bedtime Stories for the End of the World! (Bloof Books, 2015), Data Bodies (2013), THE BOOK OF INTERFERING BODIES (Nightboat Books, 2011), and THE ECSTASY OF CAPITULATION (BlazeVOX [books], 2006). He has translated Galo Ghigliotto's VALDIVIA (co-im-press, 2016), Raúl Zurita's THE COUNTRY OF PLANKS (Action Books, 2015), SONG FOR HIS DISAPPEARED LOVE (Action Books, 2010), and Jaime Luis Huenún's PORT TRAKL (Action Books, 2008). His work has been supported by the Illinois Arts Council, the National Endowment for the Arts, and the Pen/Heim Translation Fund. He lives in Chicago.
Author City: CHICAGO, IL USA