Art. Poetry. Hybrid Genre. A book of ink drawings that regards language as an exposed nervous system, uncovering the moment whereby architecture emerges out of prose, the sentence becomes a drawing, and the act of writing narrative can be examined from bodily movements. Gladman beautifully uses the drawings as an extension of her writing process, as a way to free language from constraint.
Torin Jensen @ EntropyMiriam Karraker @ Kenyon Review
Renee Gladman is the author of thirteen published works, including a cycle of novels about the city-state Ravicka and its inhabitants, the Ravickians-Event Factory (2010), The Ravickians (2011), Ana Patova Crosses a Bridge (2013) and Houses of Ravicka (2017)-as well as two collections of drawings, PROSE ARCHITECTURES (2017) and One Long Black Sentence, a series of white ink drawings on black paper, indexed by Fred Moten (2020). Recent essays and visual work have appeared in The Paris Review, Gulf Coast, Granta, Harper's, BOMB, e-flux, and n+1. She has been awarded fellowships, artist grants, and residencies from the Radcliffe Institute for Advanced Study at Harvard, Foundation for Contemporary Arts, the Lannan Foundation, and KW Institute for Contemporary Art (Berlin), among others, and is the recipient of a 2021 Windham-Campbell prize in fiction. For more information, visit reneegladman.com.