Poetry. African & African American Studies. Eschewing performative typography, Douglas Kearney's SHO aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular strategies, while examining histories and current events through the lyric, brand new dances, and other performances. Both dazzling and devastating, SHO is a genius work of literary precision, wordplay, farce, and critical irony. In his "stove-like imagination," Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.
Douglas Kearney has published six collections, including SHO (Wave Books, 2021), BUCK STUDIES (Fence Books, 2016), winner of the Theodore Roethke Memorial Poetry Award, the CLMP Firecracker Award for Poetry, and California Book Award silver medalist (Poetry). M. NourbeSe Philip calls Kearney's collection of libretti, SOMEONE TOOK THEY TONGUES (Subito, 2016), "a seismic, polyphonic mash-up." Kearney's MESS AND MESS AND (Noemi Press, 2015), was a Small Press Distribution Handpicked Selection that Publisher's Weekly called "an extraordinary book." He has received a Whiting Writer's Award, a Foundation for Contemporary Arts Cy Twombly Award for Poetry, residencies/fellowships from Cave Canem, The Rauschenberg Foundation, and others. Kearney teaches Creative Writing at the University of Minnesota-Twin Cities and lives in St. Paul with his family.Author City: SAUGUS, CA USA