Poetry. African & African American Studies. Latinx Studies. Garcia's third poetry collection, [ELEGIES], centers on love, grief, legacy, racism and history. These lyric poems range from an ode to Allen Iverson's crossover on Michael Jordan, to an original form called a "mixtape" featuring lines from today's most well-known poets, to a twenty-poem sequence of elegies dedicated to his grandmother, to an essay on police terror, to name a few. The poet explores the complexities of modern life and death through his clear, unflinching, embodied perspective.
author siteDonna Vorreyer @ RHINOCarla Sofia Ferreira @ Latino Book ReviewWendy Barnes @ The Adroit JournalElisabet Elasquez @ The RumpusRosebud Ben-Oni @ Kenyon ReviewGessy Alvarez @ SoundCloudMariana Goycoechea @ The Latinx ProjectSeán Morrissey @ Michigan Quarterly ReviewInterview with Sebastián Hasani Páramo @ The BoilerFeature @ The Missouri Review
Poet, storyteller, and essayist Roberto Carlos Garcia is a self-described "sancocho [...] of provisions from the Harlem Renaissance, the Spanish Poets of 1929, the Black Arts Movement, the Nuyorican School, and the Modernists." Garcia is rigorously interrogative of himself and the world around him, conveying "nakedness of emotion, intent, and experience," and he writes extensively about the Afro-Latinx and Afro-diasporic experience. His third poetry collection, [ELEGIES] (2020), is available through FlowerSong Press. His second poetry collection, black / Maybe: An Afro Lyric, is available from Willow Books. Roberto's first collection, MELANCOLIA (2016), is available from Červená Barva Press.Author City: USA