Poetry. "Maxine Chernoff's THE TURNING turns at the moment 'when we survive our disappearances,' 'when murder chastises history,' in other words, right now--when all that's left is the leveled playing field of the page, where graffiti scrawled on a wall is just as likely to carry import as Kristeva or Emerson or 'memory or Memorex.' In stanzas taut as guitar strings--or purse strings pulled tight against the chest--these poems recall a kind of classic Ahkmatovan cry (though they never plangent) combined with a Tsvetaeva-like pluckiness, all of which gets overridden by Chernoff's supreme humanity, ferocity, intelligence, wit, honesty: 'I had thought I knew how the world would end, but all I really know is how to stare and point.' Then the book takes yet another turn, beyond the staring and pointing"--Gillian Conoley.
Mike McDonough in Coldfront Magazine
CAMERA is Maxine Chernoff's 16th book of poems. Her previous book, HERE, was a finalist for the Northern California Book Award, as were 2 of her 6 works of fiction. Her book of stories Signs of Devotion was a NYT Notable Book of 1993. In 2013 she won an NEA Fellowship in Poetry and in 2009 the PEN USA Translation Award for a co-translation of the Selected Poems of Friedrich Hoelderlin. She is former editor of New American Writing and professor and former chair of the Dept of Creative Writing at SFSU. She has taught in Exeter, England, Prague, and St Petersburg, Russia, and was a visiting artist at the American Academy in Rome in 2016. Author City: MILL VALLEY, CA USA