Art. Photography. This series of fifty-four photographs follows Route 36 across the Kansas prairie, capturing the region's strong light and registering detailed textures within its vast spaces. Cottonwood trees, twisted by wind, break up the expanses, conveying a sense of scale and vertical life. The images move between the dry, rolling landscape and stark, vertical structures. Buildings often present blank faces, abandoned without names or signage, former uses unspecified. They sometimes appear as depthless surfaces against the deep expanse of prairie. Moving through the collection, we come to recognize this tension--between obsolescence and natural beauty--as characteristic of the region and its moment in history. In his foreword to the book, Merrill Gilfillan comments, "It seems continually necessary to reassert that landscape study and its reflective arts are anything but passive disciplines, that civilization in a sustaining, daily sense emerges most surely from good relations with one's surroundings...Bill Wylie's recent 36 crossings-with-camera remint all of this: the region's great capacity for inflection, double take, and surprise. The humble aplomb of things-in-waiting: a preposterous barn, crooked old trees half crazy with neglect. And the benignity of a deftly cast eye."
William Wylie's web site
William Wylie has published four books of his photographs, including Carrara (Center for American Places, 2009) and ROUTE 36 (Flood Editions, 2010), all concerned with landscape and place. He received a Guggenheim Fellowship in photography in 2005. His photographs can be found in the permanent collections of the Metropolitan Museum of Art, National Gallery of Art, Smithsonian American Art Museum, and Yale University Art Museum. He lives in Charlottesville where he teaches photography at the University of Virginia. Author City: Charlottesville, VA USA