Description
Poetry. Invokes a narrative and intimate distance through the imbalance of power between men and detectives and women and wives, leaving a risky proposition like an alphabet or the simple complexity of memoir and writing about memory. A sobering examination of the ultimate spy-styled popular thriller, a nuanced deconstruction of model masculinity in mass culture. [BOND, JAMES]: alphabet, anatomy, [auto]biography
Author Bio
Michelle Disler is an assistant professor of creative writing at Ohio Wesleyan University. Her work has appeared in The Laurel Review, Seneca Review, Lake Effect, Gulf Coast, Painted Bride Quarterly, Witness, Southern Humanities Review, North Dakota Review, Fugue, Hotel Amerika, Fact-Simile, and Columbia, where her essay received the Essay Prize. She is also an AWP Intro Award and Pushcart Prize nominee, the latter for her multigenre work on Ian Fleming's James Bond.
Author City: DELAWARE, OH USA