Poetry. Delving into the fissures of language as an opportunity to create something new, Rosenfield appropriates texts from various fields of knowledge (evolutionary theory, psychoanalysis, advice on the science of living, and feminist theory) to rewire ideas of authority, subjectivity and expert opinion. The resulting RE: EVOLUTION is part text-book, part poem, part song-of-science, part feminist guide-to-living. Presented alongside research and analysis from a literary critic (Sianne Ngai), a poet/academic (Diana Hamilton) and an evolutionary biologist (Jennifer Calkins), and coupled with images by poet/artist Yedda Morrison, RE: EVOLUTION prompts the question: what moves around what?RE: EVOLUTION is published as part of the TrenchArt Tracer series, with visual art by Yedda Morrison, Susan Simpson and Ken Ehlich.
James Sherry and E. J. McAdams @ Jacket2excerpt @ The Brooklyn Railaudio: author reading from Chapter Six @ The Lipstick of Noiseinterview by Divya Victor @ Jacket2
Kim Rosenfield is a poet and psychotherapist. She is the author of GOOD MORNING—MIDNIGHT— (Roof Books, 2002), which was named Small Press Traffic's Book of the Year in 2002, TRÀMA (Krupskaya, 2004), RE: EVOLUTION (Les Figues Press, 2009), LIVIDITY (Les Figues Press, 2012). and USO (I'LL BE SEEING YOU) (Ugly Duckling Presse, 2013). Her work has been included in the anthologies Bowery Women (YBK Publishers, Inc., 2006), The GURLESQUE: THE NEW GRRLY, GROTESQUE, BURLESQUE POETICS (Saturnalia Books, 2010), AGAINST EXPRESSION: AN ANTHOLOGY OF CONCEPTUAL WRITING (Northwestern University Press, 2011) and I'LL DROWN MY BOOK. She co-founded and co-edited Object magazine (1993-2002) with poet Robert Fitterman. She is part of the artist/writer's collaborative Collective Task (COLLECTIVE TASK, Patrick Lovelace Editions, 2009). Rosenfield lives and works in NYC.Author City: NEW YORK, NY USA