Poetry. THE PLUMBER'S APPRENTICE differs from Weil's previous work in that it charts the nature of suffering beyond the limits of his working class "Elizabeth" and focuses more deeply on two aspects of his life: his Irish Catholic sense of communion, with the living and the dead (all who have gone forth marked with the sign of faith), and the essential solitude of being a single, short, bald man who has no offspring, no legacy, no beloved, and is falling, however slowly, to his death. Perhaps the question Weil asks most frequently is: given the inevitable coordinates of ongoing failure, how does a poet give the middle finger to grade z forms of Emersonian positivism and have some fun in this vale of tears? In sum: if love is impossible, and life severely limited, and loneliness is devouring the furniture, where's the closest bar, and do they have a good jukebox? For brief moments Weil succeeds in making failure, death and love his drinking buddies. In the poet's messed up ontology, they make for a lively and comical crew.
Thomas Hubbard @ NewPages
Joe Weil is an assistant professor at Binghamton University. His reviews, essays, poems and short stories have appeared in Paterson Literary Review, The Literati Quarterly, Rattle, Barnstorm, Blue Collar Review, Lips, The Boston Review, North American Review, Omniverse, New York Times, New York Quarterly, The Louisiana Review, The Saranac Review, and Chicago Quarterly Review, among many others. He has five full-length collections of poetry; his latest collection of poems is A NIGHT IN DULUTH (2016) published by NYQ Books. In 2013 he was the recipient of the People's Poetry Award by Partisan Press. Joe Weil co-founded Monk books with Bianca Stone and Adam Fitzgerald. He has since created Cat in the Sun books with his wife Emily Vogel. Having grown up in Elizabeth, New Jersey, Weil now lives in Binghamton with Emily and two small children, Clare and Gabriel.Author City: BINGHAMTON, NY USA