Literary Nonfiction. Poetry. Memoir. Women's Studies. Middle Eastern Studies. Edited and introduced by Thom Donovan and Brandon Shimoda, with contributions from Ammiel Alcalay and Cole Swensen. The first retrospective collection of 50 years of writing by our leading Arab-American innovative writer, this landmark two-volume edition follows Adnan's work from the infernal elegies of the 1960s to the ethereal meditations of her later poems, to form a portrait of an extraordinarily impassioned and prescient life. Ranging between essay, fiction, poetry, memoir, feminist manifesto, and philosophical treatise, while often challenging the conventions of genre, Adnan's works give voice to the violence and revelation of the last six decades as it has centered, in part, within the geopolitics of the Arab world, and in particular the author's native Beirut. Among the key works reproduced in their entirety are: SITT MARIE ROSE (1978); THE ARAB APOCALYPSE (1980); JOURNEY TO MOUNT TAMALPAIS (1986); and OF CITIES & WOMEN (1993).
in conversation w Lisa Robertson @ BOMBLindsay Turner @ Kenyon ReviewInterview with Andy Fitch @ BLARB
Etel Adnan was born in Beirut, Lebanon in 1925, the daughter of a Greek Christian from Smyrna and a high- ranking Ottoman officer from Damascus. Her work as a whole is a faithful record of the times and places she has lived in Beirut, Paris, and in the San Francisco Bay Area. At least eighteen works by Adnan have been published in English. They include SITT MARIE ROSE (Post-Apollo Press, 1982); THE ARAB APOCALYPSE (Post-Apollo Press, 1989); SEA AND FOG (Nightboat Books, 2012), winner of the Lambda Literary Award for Lesbian Poetry and the California Book Award for Poetry; PREMONITION (Kelsey Street Press, 2014), NIGHT (Nightboat Books, 2016), SURGE (Nightboat Books, 2018), and TIME (Nightboat Books, 2019). Nightboat Books published the 2-volume set, TO LOOK AT THE SEA IS TO BECOME WHAT ONE IS: AN ETEL ADNAN READER, in 2014. In 2011, Adnan received Small Press Traffic's Lifetime Achievement Award. Her paintings, described by New York Times art critic Roberta Smith as "stubbornly radiant abstractions," have been widely exhibited, most recently at Documenta 13 and in the 2014 Whitney Biennial. Spanning media and genres, Adnan's writings have led to numerous collaborations with artists and musicians, including the French part of CIVIL WarS, a multi-language opera by American stage director Robert Wilson, performed in Lyon and Bobigny in 1985.Author City: SAUSALITO, CA USA