Fiction. Drama. Film. Sean Kilpatrick may be the P.G. Wodehouse of Hell. The blistering anger of his deliciously delirious rants delivers more cathartic mirth than provocation, and the ever-present poetic invention and subtly tidy thematic organization hiding in plain sight behind the ultra-violence inflicted on reader, characters, language and meaning suggest, in the end, a graceful and always musical accommodation to form. In this faux sequel to a Steven Seagal movie written in "80s Shakespeare," cultural icons Laurie Anderson, Michael Jackson, "Sir" William Forsythe, and assorted other henchmen and hemi-demi-semi-deities demean and demolish themselves and each other as they trace out, perhaps inadvertently but certainly hilariously, the delicate arc of a love story.
Sean Kilpatrick wrote Anatomy Courses (with Blake Butler, Lazy Fascist Press), does monthly movie reviews for Hobart, and other works have appeared or are forthcoming in Boston Review, Nerve, The Quietus, Fence, Vice, Sleepingfish, Bomb, Evergreen Review, Columbia Poetry Review, New York Tyrant, Obsidian: Literature & Arts in the African Diaspora, Black Sun Lit, The Malahat Review, Caketrain, Tarpaulin Sky, Exquisite Corpse, fluland, No Colony, La Petite Zine, Juked, The Volta, LIT, Jacket2, Whiskey Island, The Collagist, Action Yes, New South, KMSU Weekly Reader, The Talking Book, Fanzine, Dostoyevsky Wannabe, 30 Under 30, Dzanc Best of the Web 2010, HTMLGIANT, and as a Best American Essays 2014 notable.Author City: SAINT CLAIR SHORES, MI USA